Thursday, March 15, 2018

(Extra Resources for My Teaching Demo + Campus Visit)

After my teaching demo -- time permitting -- I'd like to offer some thoughts about why I think/hope this lesson "works."  Here are some slices of survey data from my students over the years.

Here's a link to my CV if you're interested!

Feel free to check out the syllabi of the courses that I've designed. I've laid them out in chronological order (although there's some overlap), beginning with one of the current writing seminars that I've been teaching at UPenn this year.  Please know that my UPenn syllabus, however, is part of a shared first-year writing curriculum, so I've only been able to make slight modifications to it.
  • WRIT 083 - Political Tone (University of Pennsylvania)
  • ENG 101-108, Linked - English Composition I and Academic Reading Across the Disciplines (Community College of Philadelphia)
  • WRIT 2 - Academic Writing (University of California Santa Barbara)
  • COMM 131 - Foundations of Public Speaking (Santa Barbara City College)
  • WRIT 220 - Ethnography and Ethnographic Writing, II (Antioch University Santa Barbara)
  • WRIT 219 - Ethnography and Ethnographic Writing, I (Antioch University Santa Barbara)
  • WRIT 339 - Personal Journal (Antioch University Santa Barbara)
  • ENG 201 - Advanced Composition (Brooks Institute of Art and Photography)
  • WRIT 310 - Academic Writing (Antioch University Santa Barbara)
  • ENG 2596 - Writing for Business and Industry (Temple University)
  • ENG 802 - Analytical Reading and Writing (Temple University)

"Reading Like a Writer, Teaching Like a Reader: Guiding Students Towards 'Good Reading' in First-Year Composition" -- that's the title of my dissertation!  I identified fourteen different "reading behaviors" -- what readers think, feel, or do before, during, or after the act of reading -- then examined FYC TAs' perception of their role within their pedagogy.  I thought that I'd make my diss available in the chance that somebody might want to skim through it(!).  

Wednesday, March 14, 2018

Unit #1 Assignments: PB1A, PB1B, and WP1

(Class #3)

On the broadest level, our first unit is designed to equip us with a deeper "genre awareness," starting with mainstream (non-academic) genres. We'll also be working on developing some crucial skills, including gathering data, detecting patterns, formulating insights, refining arguments, and supporting arguments with evidence.

You might be thinking, "Gah! I'm not sure I know how to do any of that yet!"  If so, don't sweat it -- I've got you covered.  We have two informal mini-projects (PB1A and PB1B) that will each prepare us for WP1.  Also, in true "trust the process" form, we'll spend a considerable amount of time on revising our WP1 assignments.

To access the assignment prompts, you can click this link or visit our course homepage on Canvas/Moodle/Blackboard.


Horror Movies! More Practice with "Genre" and "Conventions"

(Class #3: I use this quick activity to reinforce the previous class activity on country songs as a genre)

Scenario: all of a sudden, you're sitting in the middle of a movie theater, watching a horror movie.  How do you know you're watching a horror movie?  What about this movie make it a horror movie?  When you think about horror movies, what are their ingredients, patterns, or characteristics?

After you jot down your predictions, let's put our hypotheses to the test!

The Shining

Psycho

It

Paranormal Activity

Dirk's (2010) "Navigating Genres"

Behold, our foundational assigned reading!  To plant the idea of "genre" a bit more firmly, please take a hard look at Kerry Dirk's Navigating Genres.   You'll see that she references country songs in the opening page.  (Coincidence?)  Enjoy!

Wednesday, March 7, 2018

Deconstructing a Genre: Letter of Recommendation Requests

(Class #2)

Let's take a look at some of my former students' letter of recommendation requests.  (Note: this isn't the same thing as a letter of rec, itself!) For this activity, I'm going to be asking us to think about our "genre question."
  • What makes this thing... this thing?  
  • What makes a letter of recommendation request... a letter of recommendation request?

Let's take the same step-by-step approach that we took to our country music activity:
  1. brainstorm a list of conventions you'd expect to read/hear/find in this genre
  2. find examples of that particular genre (I've included 5 in this handout!)
  3. put your hypotheses (i.e., the brainstormed list) to the test -- consider which specific conventions were present
  4. expand your original list of conventions: now that you've checked out some examples of this particular genre, what other conventions did you detect in the examples of this genre?
  5. evaluate the role/importance that each convention plays in this genre

Thinking About a Genre (and Its Conventions) Through Country Music

(Class #2, typically, though I've used it during Class #1 during extended 75-min or 150-min classes.)

I wanted to post these videos to help you (re)consider the following questions which can, hopefully, help you to think about the relationship between genres and their conventions:
  • what's the "glue" that binds these songs together? 
  • what about them makes them fall into the “country music” category?
  • at what points do they bend/blend into other genres (such as folk, blues, and bluegrass)?

"Your Cheating Heart"


"Coal Miner’s Daughter"


"Whiskey River"


"I Am a Man of Constant Sorrow"

Lesson Plans for the F'18 Semester

(Class #1)

Click the links below to access our lesson plans for the semester!  Whenever I'm typing onto the lesson plan and "taking notes" on our class conversations, you can find that information here.  You might even want to considering downloading each weekly lesson plan at the start of class, and then taking your own notes on "top of" it.

Find our weekly lesson plans, below:

Syllabus - Fall '18

(Class #1)

Here's the most up-to-the-date version of our syllabus.  (Occasionally, I make minor tweaks!)